Kinera BD005 A Semi-Abridged Review Edition
- Buko reviews

Pre-stuff Rambling:
This BD005 was an IEM that personally, I had no idea existed until I saw a chart of top products in a Japanese audio magazine awhile back which listed the Kinera BD005 as the 2nd ranking IEM in the market at the time.
So seeing that it's actually affordable (@1226 Php or around $23.5 Usd) I bought it off Lazada to hear what it's all about.

Now this review was done with the Sony WM1a and Hidizs AP200, with some individual testing using a Sony Xperia Premium phone, with the BD005 burned in at 200+ hours, volume matched via decibel meter. (Approximately 85% volume on normal gain for both with no EQ or sound modifiers.)


(copied from Penon Audio website coz, no specs on box):

Drivers: 1 Balanced armature + 1 Dynamic driver
Impedance: 12-15 Ohms
Sensitivity: 103±3Db
Rated power: 3mW
Respond range: 20Hz-20kHz
Dynamic distortion: <5%(1kHz, 100Db SPL)
Plug: 3.5mm (Oblique insertion)
Length: 1.4m (detachable)
Attenuation: Up to 25Db

The box contains 3 pairs of silicone tips (S/M/L) of a good, soft, matte quality finish with around a medium bore diameter tube.
It also has the 3.5mm single end detachable MMCX cable with an in-line one button mic guided by memory wire and of course the pair of iems.
The Lazada seller added a nice velvety pouch that's not really part of the package but is a nice touch since there's nothing else in the box besides those 3 things.

Build Quality:
The Kinera BD005 is a relatively small, light, flat and compact IEM that holds one Dynamic Driver and one Balanced Armature driver in a clear colored plastic shell. 
As a whole, the BD005 feels solid despite it's weight and with it's size, it can easily lie flat in your ear.

One thing though, is that the sound nozzle does not have a tip lip and the insertion end stop is very near the body, so it can seem like a shallow fitting IEM when you slide the tips in place. 
So depending on how your ears are shaped, this could mean a comfortable fit or a shallow falling out of place iem. 

My ears need a longer reach to have a better seal (and I don't have double or triple flange tips at the moment) so one solution I thought of was to use the largest tip and it sealed well enough. Another, is a little mod I did (as seen in the picture) which is cutting a small portion of an unused silicone nozzle tip and place it near the bottom of the tube, basically raising the reach of the tips you use. J
ust be careful enough to leave ample space for the tips to cling to the nozzle so it doesn't get left in your ear.

The wire is soft and flexible enough for most people and seems sturdy as well with the strain reliefs built with it. The memory wire is something of a love hate thing, for me, it's ok enough as it helps keep the wire behind your ear well, but can be a bit distracting and hard to maneuver at times.

With the AP200 you know it's there, you can feel it. It's just not that strong (aka not basshead satisfying) but does not bleed into the mids. Bass quantity is good with a relatively fast decay.
On the WM1a, bass is fuller, deeper, a bit stronger and you can feel it on bass heavy tracks (like Cheap Thrills). Having better sounding bass, it still doesn't bleed into mids and overall bass is more than the AP200 and decay is more or less the same.

Female vocals are pretty good on both WM1a and AP200 and overall a notch better than most male vocals. On the AP200 instruments are good and sound neutral in position, female vocals are a bit breathy, a tiny bit above neutral to almost forward. Male vocals are more neutral though not recessed, overall, the sound and instruments in the mids are a bit rounded but clear. With the WM1a, the sub/bass gives piano slams more body but doesn't muddy the mids, vocals seem a bit more forward than the ap200 and sound sweeter, instruments are a bit crisper, less rounded and clearer.

Generally exceptions for male vocals exist and are likely due to mastering and recording as Lauv, Martin Garrix, Ed Sheeran's voice is actually at almost par to at par with female vocals in terms of forwardness and body.

The AP200 highs are rounded off and not extended so there is no sibilance at all, there is a bit of crispness and almost some sparkle on the highs specially with cymbals, high hat taps, some strings and piano strikes. While the WM1a highs are less rounded, and a tiny bit extended. Just as with the AP200, there is no sibilance, there is more crispness and more sparkle in the highs.

On the AP200 there is good enough space, you can feel the instruments and singer is near you but not in a breathing in your ear kind of way. Instruments are separated and can be ear identified/positioned with a bit of effort. 
The WM1a is a bit better as there is more distance between you and the music, instruments sound more separate from the accompanying sound, making it easier to hear them and place them..

Bonus, Binaural Test via Virtual Barbershop: Both are pretty good with positioning and distance, the AP200 feels a little bit closer versus the WM1a which also adds a bit of crispness to the layering of sound (plastic bag over head, background guitar playing and the barber talking all of the same time).

AP200 clarity is pretty good, instrument nuances/differences can be heard well (Deeply Disturbed, Discover Tokyo). Instrument reverb/distortion is not muddled or blurred (The Day the World Went Away, Lithium) while the WM1a clarity and instruments are a few notches better overall.

The BD005 is a fun little IEM with a warm bassy signature and neutralish mids and highs that respond well with the source used and at good value for the price. 
A warm DAP will emphasize the lower frequencies more and will sound bass heavy (Sony Xperia Premium) and keep the mids and highs nearly the same, while driving the BD005 with more volume and power (high gain) does not distort the sound. 

Using balanced cables (Effect Audio Thor II) the spaciousness and clarity sounded much better and a little bit brighter. 

During the time I have used this (and still do on rotation), I have enjoyed it more on my phone as it's warm signature compliments the BD005 well. 
Just know that the BD005 isnt very sensitive so top volume may not be loud enough for some on some phones (Xperia's being what they are, my Huawi P9 plays music louder) while using better daps allow it sound better with more quality, but the player's signature affect the bass a lot, like with balanced players having the least amount of sub bass. Of course, adjusting the EQ can easily compensate for this and help tune it more to your taste.

Test Tracks Used:
A Different Way - Lauv
A Foggy Day - Van Morrison
A Question of Lust - Depeche Mode (Live 1988)
Alive - Pearl Jam
Billie Jean - Michael Jackson
Cheap Thrills - Sia
Come Away With Me - Norah Jones
Come Round Soon - Sara Bareilles
Country Road - James Taylor
Deeply Disturbed - Infected Mushroom
Discover Tokyo - Shuta Hasunuma
Do what you have to do - Sarah McLachlan
Dream a Little Dream of Me - Ella Fitzgerald
Get Lucky - Daft Punk
Hail to the King - Avenged Sevenfold
Ignorance - Paramore
Is This Love - Bob Marley
It's a Long Way To the Top - AC/DC
Lithium - Nirvana
My Curse - Killswitch Engage
One Day - Matishyahu
Photograph - Ed Sheeran
Pull Me Under - Dream Factory
Send My Love - Adele
September - Earth Wind and Fire
So Far Away - Martin Garrix
Staying Alive - Bee Gees
Sugar - Maroon 5
Sunday Morning - No Doubt
The Day The World Went Away - Nine Inch Nails

AudioBuko - BD005 Kinera Review

Campfire Audio Cascade headphone review
 - expatinjapan

'Cascade is a culmination of a 3 year engineering effort to bring our signature sound to a headphone.
The result is a portable, closed-back headphone that sounds and performs like it’s open. Even better; it has the unique sound you expect from a Campfire Audio headphone.'

 Campfire Audio Cascade and ALO Audio SXC 8 upgrade cable

Ken and Caleb with some of the early prototypes of the Cascade

I knew from various show photos and word of mouth that Campfire Audio was working on a headphone. I wondered what it would be like. Campfire Audio having sprung from the loins of its older sibling ALO Audio and whilst they possess oodles of experience with cables, amps and nowadays in ear monitors (IEMs) this was going to be a first.

Being an unashamed Campfire audio fan I had faith, but also I had doubts. This was after all their first foray into the headphone market. Of course I knew they would approach the project with the skill, expertise and experience of past endeavors, but it is a first after all. 

Did they succeed, or did they suck eggs? Lets find out...

Unboxing and build.

Campfire Audio Cascade with stock cables and iBasso DX200 (Amp 1).

A beautiful box. My photo doesn't really do it justice.

Authentic Campfire Audio Headphone Packaging

USA Made “French Paper Company” Paper

Printed Locally in Portland, Oregon USA 

Campfire Audio Zipper Headphone Case  

'Cascade is the headphone that we wanted while traveling. It folds up to a compact size and is an isolated closed-back design. '

Warranty, user guides and a set of four Filters to tune the Cascade to your liking.

Unmistakably Campfire Audio Sound
42mm Beryllium PVD Diaphragm Dynamic Drivers
Aluminum and Stainless Steel Construction '

'The headband, joints, and pivot are all made of stainless steel. This makes the traditionally weakest parts of a headphone the strongest. The cups and hanger arms are aluminum; cast and then machined to reduce weight. '

 'Our headphone pads are soft sheepskin, attached via magnets and replaceable. Each element’s design is there to improve your ownership experience.'

The pads are removable and are so securely fixed by magnets I didn't even notice during the initial photo shoot. No matter how much I twisted and turned they stayed attached easily.

'42mm Beryllium PVD Driver
Cascade delivers exceptional musicality and openness. It has a soundstage that expands well beyond the listening space. It possesses sonic traits not found in typical ‘closed-back’ headphone designs.

Specially crafted custom drivers are at the heart of Cascade. Powerful and impactful sound with excellent speed and micro detail retrieval. Superior highs extend over precise and controlled bass notes. '

'Premium Materials, Durable Build
Creating a portable audiophile headphone requires using materials that are up for the job.

Light weight forged and machined aluminum cups paired with stainless steel components. This provides added strength in the places where you need it most.

Premium sheepskin ear pads are not only comfortable, but they provide excellent isolation. '

'Detachable Cable
Cables are where we started with ALO audio so we know the importance of including an awesome cable.

That is why we include our acclaimed Litz cable with Cascade. It has the same conductor design and materials as the Litz cable included with each of our earphones.

Here we’ve added a special cloth jacket to the cable. It minimizes microphonics and adds a level of durability to the cable for headphone use. '

'Campfire Audio Litz Cable with Cloth Jacket; Silver Plated Copper Conductors with Circular Push-Pull Connectors and 3.5mm Stereo Plug '

Push/pull connectors for easy entry and release.

The stock cable is free and easy in its movements.


5Hz–33 kHz Frequency Response (attn -26dB)

100 dB SPL/mW Sensitivity

38 Ohms @ 1kHz Impedance

13.5 oz (without cable) or approximately 383 g

Earpad Dimensions Outside OD approx – 2.75-inch wide x 4 inch tall
Inside ID is approx – 1.5 inch wide x 2.5 inch


42 mm Beryllium PVD diaphragm dynamic driver

Sheep Leather Detachable Headphone Pads

Cicular ‘Push-Pull’ Connections

Cast + Machined Aluminum Cup and Hanger Arms

Steel headband, pivot and joints

Litz Cable – Silver Plated Copper with Cloth Jacket (4′)

Size, fit and comfort

Caleb of Campfire Audio showing the easy fit of the Cascade.

My head in horizontal circumference is around 58-59cm. Curiously the same size as our family soccer/football ball...
Over the top of my head from ear to ear is approximately 28-29cm, our heads often being more oval in shape, well mine anyway.
I delicately pasted a picture of T.Hanks on top of my ugly mug to give an idea of fit.

For me the fit is quite comfortable and my dainty pixie ears fit inside quite comfortably. The pads take a short amount of time to break in, soften and loosen up to better fit the contours of the head, offer a decent seal and place the ears slightly closer to the drivers.

I am able to wear for quite a considerable amount of time with no discomfort like a yogi.
My head being smaller than some I reluctantly bent the head band slightly to get a better seal on the pads and a tighter grip on the sides of my head.

Earpad Dimensions Outside OD approx – 2.75-inch wide x 4 inch tall
Inside ID is approx – 1.5 inch wide x 2.5 inch
Sheep Leather Detachable Headphone Pads.

Campfire Audio is at present working on offering a larger head band option.



'Designed with portable use in mind, Cascade is a durable headphone for use at home and on the go. The more you listen, the more you’ll find you’ll want to keep it with you, where ever that might be.

Cascade has excellent high-frequency extension; cymbals sparkle and expand on a wide soundstage. Mids are clear and uncolored.

The bass response is special; rich in texture and well defined. All qualities you won’t find in a typical closed back design. '

The listening was mainly done with the iBasso DX200 using amp 1 and the stock cable to maintain some sort of continuity during the break in/burn in process.
Standard Flac 16/44 on shuffle mode was generally employed.
Volume 95/105 on high gain or 105/115 on low gain (approx).
Stock pads with no filters used.

It ended up more a journey of discovery or even an epic odyssey than a review...

Campfire Audio Cascade and ALO Audio SXC 8 upgrade cable to iBasso DX200 (amp 4).

Early impressions from zero hours up to the 150 hour mark.

(iBasso DX200 using amp 1 and the stock cable)

Here are some of my basic findings from intermittently picking up and listening to the Cascade whilst I leave it to get the recommended hours (150-200 hours).

They have certainly improved with time.

The unboxing photos were done last Friday and I gave them a brief listen.

With the iBasso DX200/amp 1.

Friday afternoon: A little rough around the edges soundwise. A bit rusty and crusty. Like they were trying to perform but were restricted.

Saturday morning: Still a few rough edges but not as prevalent as the first listen.

Saturday afternoon/24 hours: Got that Vega feeling.

Sunday/ 48 hours or so: Still got that Vega sense about them.

Monday, midday/ approaching 75 hours: Symphonic.

Tuesday morning: combination of Vega and Andromeda.

Tuesday afternoon/ 100 hours: Depth and width. Vocals and music more balanced.
Great layering and sound stage.

With Opus#1S - because I thought I should break/burn both in.
(Combo breaker- I shoulda stuck to DX200 for consistency in my findings- apologies)

Wednesday evening/124 hours: Smoother, deeper, exquisite.
The ear pads also need breaking in for a decent seal.
Lovely vocal representation.
Bass at times still a bit slow and lingering.
Hits deep (whatever that means - I had a cold and fever that evening and today).

Back to iBasso DX200/amp1

Thursday/today/in bed with a cold/150 hours
Overall the Cascade has tightened up considerably. Bass is faster and tamed.
Track reproduction is accurate and leans towards a reference sound.
Sound stage is more noticeably expansive and instruments well placed.
Vocals centered well within ones skull.
Even though the pads haven't been properly broken in the fit is better.

Quite stunning.

Campfire Audio Cascade with stock cable to Opus#3

Reaching over 225 hours now.

(iBasso DX200 using amp 1 and the stock cable)

After about 200+ hours the bass suddenly drastically tamed (more so than at 150 hours), and was less boomy than earlier, more controlled and the decay was much faster. Still ample enough bass, but not the defining feature as at first listen. Refined.

Using the upgrade cable, but I did first test it at about 150 hours with the upgrade cable and took some notes and then put it on the burn in.

Going to go back to the stock cable tomorrow and recheck my findings.

200+ certainly seems to find the sweet spot. 

The next day: Using the stock cable I found the above findings to be accurate, although the upgrade cable has various benefits in resolution, detail and imaging I was able to perceive easily the jump from 150 to 225+ hours had certainly refined the Cascade.

 Campfire Audio Cascade and ALO Audio SXC 8 upgrade cable to iBasso DX200 (amp 4).

Over 400 hours now (OMG, what a jump).

(iBasso DX200 using amp 1 and the stock cable)

I feel I have failed you my dear readers. I did intermittently pick them up and listen but the weekend interrupted the proceedings and my fastidious note taking.

What I noticed was that the refinement continued although not as drastically as from the 0 - 200 hours mark. There was another The significant part is the speed, everything has sped up considerably overall.

bass is quick and responsive, the deep, low slow rumblings pre 150 hours has been replaced by an entirely different creature.

At this point I had to plug in my general reference spot IEM the Campfire Andromeda and recheck my imaginings. More bright in the top end, and those mmm mids.

Back to the Campfire Audio Cascade. definitely that sub bass is pumping, upper bass is strong and fast but not over aggressive.

Vocals are nicely matched to the recording of the track and not artificially forward nor recessed. They seem to have achieved a decent balance.

Sound stage is satisfying wide.

Imaging and instrument placement is excellent, I find myself stopping writing and listening to the music and wondering did I just hear that or not. Listening to The Clash 'Radio clash' where the sounds are coming from all directions is a cacophony of satisfaction.

Lets carry on, but with random shuffle to get rid of any control of choosing tracks and have the unexpected and see what happens..

Joy Division 'Novelty' even sounds well mastered. Those drums thumping along that they employ so well, the emotion of Ian Curtis voice communicating itself with depth and feeling.

Lana Del Rey 'Cherry' makes my head vibrate with its sub bass at times, the vibration of the bass contrasts starkly with the control of the vocals, so smooth.

Lou Reed 'Perfect day' is a pleasant track in its presentation, dark in its vocal undercurrent of meaning. The track has a lower bass at is foundation with the strings floating above it all and just under the vocals. Soaring. Stirring.

The Pixies 'Caribou`, 'Dead'. The Pixies generally a good test for any dap or earphone with their quiet/loud, fast/ slow style.

lana Del Rey 'Pretty when you cry' is detailed and subtle, restrained in the way that the track presents itself, the Cascade staying congruent to the intended style. Deep music with contrasting lush and clear vocals.

The Smiths 'Last night I dreamt that somebody loved me' - I forget which earphone or dap I reviewed when this track came on and so moved me. The piano and roaring crowd at the beginning giving me goosebumps then the track bursting through. Imaging and separation excellent. Sound stage wide and with clarity.

David Bowie 'The prettiest star' has fantastic clarity and detail, resolution is near perfect. more tame in the lows but with far reaching highs that extent without any sibilance.

Throwing Muses 'Bright yellow gun' is a driving track that is heavy with upper bass and lower mids. but the cascade handles them well, keeping a bit of space in what can often be a congested track.

The Fugees 'Killing me softly' The bass thumps along, vocals as usual are soaring and excellent. fast.

The Velvet underground 'There she goes again' well as many know the early VU wasn't recorded so well, but who cares, its the Velvet underground!

Norah Jones 'The long day is over'. Good old Norah, a staple of audio show daps. I like her though.
The usual lush and meandering journey of mids and vocals is suitable smooth and refreshing.

The Beatles 'Eleanor Rigby' (stereo) comes across superbly. Recorded more for a home system probably as was the main method of listening at the time still translates across to a set of earphones nicely, with the vocals going from right to left and centering. Lovely seperation.

The Chemical Brothers 'Let forever be' made me turn down the volume a wee bit from before.
Deep, full, beating bass.

Massive Attack 'Saturday come slow' it seems some sort of synchronicity is attracting bass full tracks to my current shuffle rotation.

Mazzy Star 'I've gotta stop' careens along as Mazzy Star does so well. rambling along in a blissful state. the cascade retains the dreamy atmosphere and presents a large sound stage.

Nina Simone 'Gimme some' is light and the instruments separation is well done, although the recording of the instruments positioning isn't great. Vocals clear and realistic.

Mud Flow 'The sense of me' is a recent recording and really showcases what the cascade can do well.
Full heart beating bass, soaring emotive vocals, strings individually plucked.

Natalie Merchant 'Seven deadly sins' has prominent, clear vocals. Great strings.

Tricky 'Pumpkin' is heavy in the lower reaches. The female vocals still reach above it all.

Dire Straits 'Brothers in arms` is well reproduced through the Cascade. Excellent.
Compared the cascade to the CA Nova, no comparison, Cascade trumps.

Discharge 'Free speech for the dumb' ooh, something messy. Handles the extremes well.

Hole 'Softer, softest' has nice tight and fast bass, gliding guitars. The width, depth and height of these headphones is amazing.
Vega time. the Vega seems lighter with more space, more treble extensions and less mids.
The Cascade is more closer to linear at times with more bass and mids. Fuller sound, larger sound stage.

Rammstein 'Du hast' is accurate. Loses nothing. very engaging.

Black Flag 'Scream'

Radiohead 'Thinking about you'. Light, fresh. Jangling guitars, vocals crisp and correct.

Norah Jones 'Nightingale' I won't skip this as I have for a few doubled artists. Norah Jones is great for pin pointing some finer points of presentation for daps and ear/headphones.

Bass, vocals/mids, treble or Bass, vocals/treble, mids. I am still deciding in which order they are most dominant. can on occasion be track dependent or it could be my bad ears.

Shanling M3s
Echobox explorer
Shozy Alien+
FiiO X7ii

I had written some notes about each dap but found that I kept repeating myself as the findings between the daps were generally similar as regarding the Campfire Audio sound signature.  (Then as you can see below I went back to it anyway...SMH)

The defining feature of the Cascade is certainly the bass, whilst not overly domineering of the whole signature is is certainly noticeable even after significant burn in.
The highs dont disappoint, and whilst imaging is excellent there is certain evenness overall that drifts the earphone towards a linear area, even though it is not that. Confused yet?
The mids are present but not like say in an ATH-ESW9, the highs bass are there but not like an ATH-ES10 where it is fatiguing and uneven in its approach. A soft v? A tick mark?

If you like a strong fast, controlled bass, clear, concise and realistic vocals, enough treble to please but without losing that small concert venue intimacy, and with a  touch of mids to give it body without veering into lush or muddy territory you will enjoy the Cascade.

Slightly linear, a tad reference but with enough bass to dispel those notions yet never departing too far from the original intention of the artists recording.

I listened to the CA Cascade with a few daps.
Stock cable, no added filters.
Volume matched with a SPL meter.
All on high gain.

FiiO X7ii: Smooth, upper bass, light, fairly even, medium sound stage.
Opus#2: Nice low end, more mids present. Slightly forward vocals, expansive.
iBasso DX200 (amp1): More definition, lots of space, excellent separation, good balance.
*I will have to try some other iBasso DX200 amps with the Cascade.

Echobox Explorer (UAPP app): Fast, more brighter, lots of space, even. Detailed. Mids a bit more noticeable. Bass where it counts.
Opus#3: Clear, clarity. Bright. spacious. Light. Defined. Nice low end. Tight bass thump. Nice separation.
Shanling M3S: Fairly linear, natural. Great depth and width. Accurate.
*Echobox Explorer and Opus#3 had some similar traits.

Opus#1: Medium sound stage, fairly linear, more mids. Slower upper bass.
Opus#1S: More forward, energetic, more depth and space. Nice sound stage. Upper end sparkle.
Shozy Alien+ (short delay sharp roll off filter): Lively, deep, good separation and imaging. Good sound stage. Deep bass.
(Short delay slow roll off filter) similar to Opus#1S.

Summary. Whilst all the daps are fairly reference by todays standards. The output impedance being from under 1 ohm OI to 2 ohm OI: Opus single ended out (recalling daps OI from memory) results in slightly less bass at 2 ohm OI and more definition at 1 ohm OI.
There are slight but noticeable differences in general signature and overall performance (detailing, timbre, imaging, layering, sound stage etc) but these are largely incremental,..but noticeable.

I was less focussed on the Daps performance and more delving into the headphones themselves.
This was more to confirm things in my head, pointless in some ways considering the similarity of daps these days. wrks better with BAs rather than DDs or headphones. oh well. For science! To infinity and beyond!

The Campfire Audio Cascade has an extremely uncolored mids, its easy to think of V shaped, U/u/v etc, or even W as the vocals come into play. Careful and concentrated listening will reveal what is fairly obvious anyway to most general listeners...that the Cascade most certainly has 'dat bass', but after settling in it is quite controlled, fast and definite, mids are perfectly present, not lush or over emphasized but tuned in the background like a sub woofer for a home system. There, but not in your face, reasonably uncolored. The vocals are smooth and beautiful, Highs reach out, but no too far.

In a way its a Vega/Dorado cross over with a touch of Andromeda - but being a headphone there is just so much more.

Campfire Audio Cascade with stock cable to Opus#2

Some headphone comparisons.
I don`t have any appropriate similar headphones to compare with the Cascade, but nevertheless, onwards and upwards. price points are all lower.

Round 1:
Campfire Audio Cascade: Deep, full, full bass and lower mids. Vocals well matched to the music. Treble isnt lacking but isnt the defining feature.

Audio Technica ATH-ESW11: Nice and smooth, a bit thin. great highs and mids. More body and sound stage than the ESW9. bass is ok, a bit light. vocals forward. (I used to love these when I bought them- I might sell them now #sadface).

Audio Technica ATH-ESW9: Tame with nice mids and highs. (My first big headphone purchase. since refurbished and used by my son).

I have the ATH-A900 upstairs but will pass on them.

Round 2:
Campfire Audio Cascade: See above. Smooth, coherent, imaging and timbre is excellent. handles volume well. fast defined bass, treble is present but understated. Superb layering.

Meze 99 Neo: Quite beautiful. Great definition, slow lingering deep bass, some mids, more treble than the Cascade. Vocals forward. Controlled. Brighter than the Cascade.

Meze 99 Classics: A bit darker and warmer than the Neo. can be congested. Highs can be sharp.

In terms of Performance the Cascade was the clear winner in this uneven comparison.


'Custom fit acoustic dampeners to find the sound that is right for you. '

From the manual:
'The lower number value of the acoustic dampener the higher the level of mid and low frequency will be.'

Filter 1T: Evens out a little bit. Slight tweak. Sweet at times.

Filter 2T: Mids coming up now, treble much more noticeable. A sense of space.

Filter 3T: Sound is a bit fuller now, the mids coming into play. Treble not over bearing. Bass not absent but still quite active. Lots of 'body'.

Filter 4T: Prominent mids and treble. Bass relaxed in to the background.

The filters certainly change the frequencies, experimentation with the filters can be a bit time consuming but rewarding as one can discover a particular signature suited to their tastes and one that has synergy with their source and music tastes.

This is similar to the iBasso DX200 and FiiO X7ii swappable amp systems. A great idea by Campfire Audio.

I am undecided on my particular favorite. perhaps 2T or 4T with the stock cable.

At first I misread the blurb to read:
 'The lower number value of the acoustic dampener the higher the level of mid and HIGH frequency will be.'
Instead of the correct:
The lower number value of the acoustic dampener the higher the level of mid and low frequency will be.'
Which caused me to go back and forth multiple times checking and rechecking until I read it correctly the next day. SMH.

I will eventually be using the Campfire Audio Cascade with the upgrade cable, so I will wait and see how that results with no filter first.

AL0 Audio SXC-8 and the Filters

Filter 1T: Surround and slightly holographic. Defined. Layered. Lightness.

Filter 2T: Clear with lots of space.  Mids quite present. Strong bass.

Filter 3T: Deep. More bass. Mids more prominent. Treble not as active.

Filter 4T: Fuller, more intimate. Warm. Slight high extension. Mids take front seat.  Forward at times.

1T would be my personal choice of Filter with the SXC-8 cable.

As I noted earlier the pads are removable and are so securely fixed by magnets I didn't even notice during the initial photo shoot. No matter how much I twisted and turned they stayed attached easily.

'...headphone pads are soft sheepskin, attached via magnets and replaceable.'

ALO Audio SXC 8 cable.

Campfire Audio stock Litz cable (Silver plated copper with cloth jacket) 
ALO Audio SXC 8 x 22 awg silver plated copper cable

Early impressions after 150 hours.

Cascade stock cable
1: Still a bit bassy, a pad scrunching evened it out a bit.
2: Clean sound, still bass - sub bass.
Deep. Fairly flat. Needs more definition.
3: More delicate. Fairly even. Still that 'boom, boom'.

1: Fuller overall. Still dat bass. But more control(?).
2: Clears it up a bit. Better separation. More space.
3: Bass lingers.

After 300+ hours

Cascade stock cable
It has balanced out more. Bass is tight and controlled. Still full bass. Clean defined sound. Even, not overly dramatic.

ALO Audio SXC-8
Beautiful. fuller, sound stage expanded. Imaging exquisite. Instrument separation and general timbre is excellent. Resolution and detail are greatly improved. Vocals are gorgeous. It comes alive in a sense.

Changing to the SXC-8 made me stay up for another hour past midnight - aural bliss.

*Results may be skewered due to using the iBasso DX200 Amp 1 for stock cable and Amp 4 for the SXC-8.
*I will also experiment with the Vega and Andromeda with MMCX Litz 2.5mm to an iBasso 2.5mm to 4.4mm adapter and also the MMCX to 4.4mm SXC-8 cable ultilizing Amp 4. (see further below past the colorful pictures).

The cable Y is quite long so I made a neck slider out of the tiny velcro strips which come wrapped around IEM cables.

ALO Audio Litz MMCX to 2.5mm to iBasso CA02 2.5mm to 4.4mm adapter 
ALO Audio SXC-8 MMCX to 4.4mm.

Hopefully to further shed some light upon the differences between the two cables going out on a side limb here. The important part being they both share the 4.4mm connection, and hence the same iBasso amp 4 unit for consistency.

Using iBasso DX200 with Amp 4. Low gain.
JVC Spiral tips.

Campfire Audio Vega: 
ALO Audio Litz: Bass, though not as heavy as the Cascade, lots of space, extended highs, subtle mids. Excellent resolution and clarity. 
ALO Audio SXC-8: More clarity, increase in space, more body, rich.

Campfire Audio Andromeda:
ALO Audio Litz: Open, wide sound stage, lovely mids, extended in all directions, exquisite layering and timbre. Light.
ALO Audio SXC-8: Lovely body, layering is defined, imaging is definite and clear, deep and full. large sound stage.

Campfire Audio Orion:
ALO Audio Litz: Soft, even, mids, linear.
ALO Audio SXC-8: More definition, slightly wider, still mainly retains linear signature.

Campfire Audio Lyra ii:
ALO Audio Litz: Fairly linear, reference leaning, nice light touch of body, very gentle. Upper bass and lower mids quite complementary towards each other.
ALO Audio SXC-8: More speed, increase in body and timbre, imaging improved, vocals more silky smooth.

Campfire Audio Dorado:
ALO Audio Litz: Bright, and low ended. Medium sound stage at times.
ALO Audio SXC-8: Deep full bass, clear vocals, highs clear but not over extended, mids come up more. Larger sound stage. More depth and body. Smoother.

In summary: The sound stage is increased, mids brought up a tad, more coherency, smoother, overall body has depth and the layering is more defined. Via the better clarity instrument placement and separation is more noticeable.


An interlude

Campfire Audio Cascade, ALO Audio Continental V5 and Shanling M3S

A great match, the Continental V5 seems a lovely match. the added power and the gorgeous definition with an overlay of lushness brings the Cascade magically to life.

Campfire Audio, iFi Nano iDSD Black Label and Shanling M3S
The Campfire Audio Cascade seems to pair fairly friendly with many devices.

Gaming time. 

I quite enjoyed using the Cascade for gaming. Although I didnt really test out all the various dac and amps I have at my disposal. Too busy 'Stayin alive, stayin alive!'


The Campfire Audio Cascade retails for US$799 from Campfire Audio or approved distributors.


The Campfire Audio Cascade headphone is a tour de force. A success within a crowded market.

I was very curious as to how their first foray into headphones would result in design and sound. To my eyes and ears it is a thing of beauty.

With an array of 4 (+1) filter settings to craft the sound to ones liking the Cascade is quite versitile. 
If using the stock cable I would most certainly employ them as my sonic tastes are fairly specific.

The suggested upgrade cable ALO Audio SXC-8 seemingly improves all aspects of an already high performing headphone. It truly is like a piece of jewelry. So shiny. Fairly weighty, yet also supple and barely a hint of micro phonics.
yet also the supplied cable when combined with the filters is no slouch either.

Also I have read that HD800 cables are compatible.

The Cascade need many hours to open up. I recommend 150 hours +. set em and forget em for a few days...If you can.

I find the Cascade a comfortable fit of my average sized head and pixie ears.
At one stage I listened for over four hours at one stage whilst reviewing with no discomfort.

It is a solid and well built headphone, but surprisingly light despite its looks.

If you like a strong fast, controlled bass, clear, concise and realistic vocals, exquisite layering, detailed and smooth, with enough treble to please, a large sound stage but without losing that small concert venue intimacy, and with a  touch of mids to give it body without veering into lush or muddy territory you will enjoy the Cascade.

Thank you to Campfire audio for sending Head pie the Cascade for review