Pros: Build and comfort –
Quick-Switch modular cable system – Mature, capable tuning –
Wicked accessory kit
Cons: Sub-bass presence is a
bit too lax for my personal tastes – Decision to go with a lose
braid for the cable
Greetings!
Today we're checking out
something special; Dunu's DK-3001 Pro.
Back in 2017 Dunu released
the original DK-3001 to positive fanfare. While I never had the
chance to try out that model, looking back on old reviews it seems
much of the original's DNA remains, although with the Pro Dunu has
reworked the concept. Along with the addition of an extra armature
bringing the total number of drivers to four armatures and one
dynamic per side, they also applied a number of tweaks and
refinements to both the physical design and auditory experience that
should make the Pro a more than worthy successor.
I've spent just over a month
extensively listening to this earphone, comparing and contrasting it
with products at prices well above and below. I think I know the
DK-3001 Pro pretty well at this point and feel that it offers an
impressive balance of performance for the price (which is not low),
all packaged into one of the better constructed earphones on the
market. If you're looking for something in that 400-500 USD price
range, the DK-3001 Pro is a compelling product.
Let's check out why that is,
shall we?
What I Hear The
DK-3001 Pro shares a very desirable quality with the best sounding
products I've used to date, that being the effortlessness of its
presentation. Some earphones always sound like their drivers are
tuned to consistently perform at the extremes of their capabilities.
When you increase the volume or start EQing, they still sound good
but also come across like they're trying too hard. Products like the
DK-3001 Pro, Campfire Audio Andromeda, and a few select others sound
like everything they reproduce comes naturally to them, with little
effort needed. That important detail out of the way, the DK-3001
Pro's signature sounds like it focuses on everything except the
extremes. Upper treble and lower bass see reduced emphasis while the
lower treble, midrange, and mid to upper bass are all similarly
emphasized with nigh-perfect balance.
Treble
is well extended with a smooth roll off in emphasis as you increase
up and through to the brilliance region. This leads to a detailed,
non-fatiguing sound that still presents itself with a welcome amount
of air and spacing between notes. It's also quite suitable across
various genres since the energy and clarity is there, it's just not
overly energetic or in-your-face. Despite using armatures, attack and
decay qualities are presented more akin to a dynamic driver with a
slightly slower, less aggressive bite and linger, but with the
exemplary control of an armature. It can pull apart and effectively
separate the cluttered, improvisational cymbal work on King Crimson's
live rendition of “Indiscpline” with ease. It all ends up
sounding very natural, coherent, and well put together.
The
midrange carries on these traits as well and displays some of the
most realistic and natural sounding timbre I've heard. It easily
rivals the more accurate dynamic-only earphones in my collection
displaying none of the dry, breathy, plasticky qualities that seem
common to earphones using armatures. Running through the orchestral
powerhouse that is 'Gyakuten Meets Orchestra' is a joy. That said, I
do like a breathy presentation which is why EarNiNE's in-house design
armatures are some of my favorites. When it comes to vocal
presentation the DK-3001 Pro is seriously impressive. Voices are
forward and clear without the upper mid peak that causes other
earphones to sound shouty and sibilant. Both female and male vocals
are equally well represented with a clean articulation of subtle
details. Artists with a very flexible vocal style, like Skindred's
Benji Webbe, and handled flawlessly. The DK-3001 Pro can easily keep
up with his impossibly quick transitions from smooth reggae to metal
screaming, with some calm crooning thrown in. The powerful voices of
female singers like Celine Dion and Caroline Lavelle aren't left
behind either, with all their character and body on full display.
The
DK-3001 Pro's low end is politely boosted with a focus on the midbass
region. Midbass is very tight and well-controlled with a satisfying
punch and a smooth but detailed texturing. Subbass drops in emphasis
the deeper you go.While you do experience some visceral feedback,
it's not going to rattle you. Instead, it stands aside to let other
regions carry the track. Massive Attack's “Teardrop” is a good
showcase track for the DK-3001 Pro since it puts the above qualities
on display. So is the drumming on the aforementioned “Indiscipline”.
Kicks hit with authority, and each note is distinct and dynamic
feeling. Bringing in a modern pop track like the impressive “GIANTS”
from the virtual band True Damage shows that the DK-3001 Pro is a
capable earphone to pair with bass led beats. The warbling, grungy
bass note that drives the track through a couple sections has just
enough presence to do it's job but doesn't overwhelm like it can on
some other more low end forward earphones, such as the Polaris II
from Campfire Audio.
When it
comes to sound stage the DK-3001 Pro isn't going to wow with a
cavernous presentation like you'll find on the Campfire Audio
Solaris. It's actually quite average, if not slightly above,
presenting music just outside the ear. Sounds can be tossed off way
into the distance and every once in a while you might experience the
odd “did someone call me?” moment where you pull out one bud and
look around, only to find it was something in the music. For the most
part the experience is just shy of intimate. No, where the DK-3001
shines is with what it does with the sound within this space. Imaging
is razor sharp and very clear in channel-to-channel transitions.
Following a sound as it moves requires little concentration.
Congestion was never an issue thanks to the DK-3001 Pros ability to
keep individual tracks elements separate while effectively
maintaining a layered and dynamic feel.
Overall
I find the DK-3001 Pro to be a seriously impressive earphone. The
injection of warmth and somewhat relaxed upper treble combined with a
peakless upper midrange has a decidedly more Western listener appeal
to it, as originally pointed out by Dunu in a chat, and that I
100% agree with. As someone that has been completely enamoured by the
Chinese hifi scene for many years now, I've found myself leaning
towards a more mellow but still very detailed sound in the last year
or so, one that the DK-3001 Pro delivers on every front. If there was
anything I would change, it would be to increase sub-bass presence
slightly, but otherwise this sound signature and tuning is spot on.
Compared To A Peer
(volume matched with Dayton iMM-6)
Fearless
S6 Rui (389.00 USD): The S6 Rui
is packed with six balanced armatures and is one of the best
bang-for-the-buck earphones I've heard. It look drop-dead gorgeous
and has the performance to back it up. While it gives the DK-3001 Pro
a run for it's money, there is a clear difference in refinement that
separates the two. The S6 provides more upper treble energy and
shimmer and to my ears has a better treble balance, with presence and
brilliance regions that are more even overall. The Dunu sounds quite
a bit smoother though, without giving up anything in detail and
clarity, while also having a cleaner, more controlled presentation.
Mids out of the Fearless are more forward and prominent without
crossing into sibilant or shouty territory. It matches the DK-3001
Pro's detail and clarity but falls behind in timbre quality thanks to
a hint of dryness that pervades throughout. Notes also sound a little
less defined around the edges, lacking the liquid smoothness of the
Dunu. Bass is more comparable oddly enough. While the DK-3001 extends
deeper into sub-bass regions, emphasis is similar with the armatures
in the Fearless only falling behind when dipping really deep. Midbass
is more punchy and textured out of the S6 Rui, with a snappier attack
and more rapid decay. While I generally prefer the meatier, heavier
feel of the Dunu's low end presentation, the S6's armatures are just
as capable, but in different ways. When it comes to sound stage the
S6 Rui sounds slightly less wide but offers more depth. That brings
with it slightly improved layering, but I still prefer the way the
DK-3001 images and separates individual track elements.
Campfire
Audio Polaris II (499 USD): Like
the DK-3001 Pro, the Polaris II is a hybrid earphone, though with
only two drivers compared to the five found within the Dunu. Treble
from the Polaris is less linear leading to a brighter sound with more
upper end emphasis. This gives it a more air and shimmer, while the
Dunu sounds cleaner with greater note clarity, more control, and
finer detail. The Polaris feels more energetic since along with the
brightness comes a snappier attack and faster decay, but the Dunu
sounds more mature and refined. Mids on the Dunu are more natural
sounding with again, a more linear presentation from lower to upper.
Vocals are well-weighted and clear with no coherence issues.
Comparatively, the Polaris has more upper mid emphasis that draws out
siblance already present within a recording. Timbre from the Dunu is
even more realistic and accurate compared to the Polaris which was is
slightly bright and lean, but still a notable step up from it's
predecessor. Bass is where the two drastically differ. While the Dunu
is slightly boosted, the Polaris II goes full basshead. Lots more
midbass that adds a ton of warmth, along with more prominent and
forceful subbass. The subwoofer-like presentation of the Polaris' low
end certainly lacks the fine control and deftness present in the
Dunu's dynamic driver (9.2mm vs. 13mm), falling behind in texture
too. When it comes to sound stage the Polaris II sounds wider and
more spacious, putting you deeper within your music. I found the Dunu
quite a bit more impressive technically though. Sounds move from
channel-to-channel with greater nuance and precision, tracks sound
better spacious and more layered, and despite having a smaller stage
to play on, instruments and effects are better separated and more
well-defined. These two are clearly aimed at different markets. If
you like v-shaped signatures with a big stage and crazy bass, the
Polaris II delivers in a way the Dunu cannot. If you want something
much closer to a balanced reference-ish sound, the Dunu runs circles
around the Polaris II. They compliment vs. compete.
Hifiman
RE800 Silver (599 USD): The
RE800 Silver features a single 9.2mm dynamic driver on each side that
utilizes Hifiman's 'Topology Diaphragm' tech. Despite their
differences in acoustic design, they both succeed in providing a
refined, detailed, hi-end sound, though slightly skewed in different
directions. The RE800 is brighter overall with more upper treble
presence and a similar lower treble presentation. The extra upper end
energy combined with clean lower treble gives the RE800 a more lean,
analytic sound next to the Dunu, despite a slightly looser note
presentation. Both are quite quick with an impactful attack on notes
and realistic decay. Mids from both are a standout with the RE800
having a brighter, thinner presentation thanks to a lift in the upper
mids. I'd give it a very slight edge in micro detail and clarity over
the Dunu, hardly noticeable unless really listening hard. Timbre is
nigh identical for the most part, though the RE800s brighter nature
does lend it to sound slightly less natural at times. Bass on the
DK-3001 Pro is stronger with more mid and subbass emphasis, though I
find the RE800 offers greater extension and improved texturing. The
RE800 is also a little quicker and more nimble, though decay out of
the Dunu feels more natural. When it comes to sound stage the RE800
feels wider and deeper with it's vocal presentation set slightly
further from the ear by default, but when it comes to technicalities
the DK-3001 Pro isn't bested. Sounds sweep from channel-to-channel
with more precision, layers to tracks are better separated and have
more dimension, and instruments feel even more defined and
well-separated on congested tracks. If you prefer a neutral-bright
sound, the RE800 Silver will better meet your needs, but for everyone
and everything else the DK-3001 Pro will be the superior pick.
In The Ear I've
used a few Dunu earphones in the past and ergonomics have always been
good, even when their designs have been somewhat unconventional. Take
for example the original Titan 1, 3, and 5 which were earbud-like in
shape, but with a nozzle. They were light, low profile, and slept in
the outer ear with little fuss, though the short nozzle demanded a
suitable tip to compensate for some users. There are wisps of this
older design in the DK-3001 Pro, but thanks to a number of elements
that modernize it, it ends up being one of the most satisfying
earphones I've ever worn.
Size is
a big factor in this. Despite being a five driver hybrid containing
four armatures and a reasonably large 13mm dynamic, the DK-3001 Pro
is impossibly small. It is dwarfed in size by the Campfire Audio
Solaris which has one less driver. The Shozy x AAW Hibiki MK.2 towers
over it, and that contains a long 10mm dynamic. Dunu's engineers have
brilliantly packed a swath of drivers into the DK-3001 Pro's shell
without compromising on size, ergonomics, or sound. Other aspects of
the shell that help make this such a pleasant earphone to wear is the
nozzle length and angle. The nozzle protrudes at about a 70 degree
angle which combined with the tapered interior of the shell means
there is little beyond the ear tip and base of the shell interacting
with your ear. This lack of contact combined with the small size and
over ear design of the cable leads to a very stable, unobtrusive fit.
I can use the DK-3001 Pro for hours without any fatigue settling in.
That is despite this being a fairly weighty little earphone. The
DK-3001 Pro is made from S316 stainless steel with a unique internal
design to help eliminate harmonic resonance. The ergonomics are so
good and weight distribution so perfect that the weight means
virtually nothing in the long run.
That
weight also makes them feel like the premium earphone they are, aided
further by the sort of build quality you would expect at this price
point. The DK-3001 Pro has a very in-depth design with lots of angles
and details. That's easy to mess up. Dunu didn't. Seams are clean and
tight. Everything sits flush with no unslightly gaps or misaligned
sections. The c-shaped faceplate (or metal hood according to the box
art) is a mix of brushed material with tapered, unpainted edges that
show off the sheen of the metal. Even the tiny Dunu logo is
masterfully done, with the small break in the left arm of each U
remaining. The attention to detail is crazy impressive. Likely due to
space constraints, the MMCX receptacle is contained in a horizontal
arm that organically forms out of the top of the housing. It's
similar to what TinHifi has done with the T2/T3/T4, but in a
different orientation. In combination with the curved plugs of the
included cable, it all feels very natural when worn.
Speaking
of the cable, it too is quite nice. On one end is a set of angled
MMCX plugs out of which tightly curved, preformed ear guides
protrude. They do a fantastic job of keeping the cable wrapped
securely around the ear, even during wild head movements. Above the
y-split are two very light, thin, loosely wrapped strands of
brown/copper coloured wire. Those pass through a clear rubber strain
chin cinch and into a metal y-split where they reconnect into a four
wire braid. This braid is not very tight, something I have criticized
other brands for in the past. It works a much better here because the
sheath remains flexible and does a good job of minimizing cable
noise, but with is a hardness to it that keeps the braid neat and
tidy with none of the sloppiness I've seen elsewhere. It behaves so
much better than other, similar cables I've used. This braided design
carries on down from the y-split to Dunu's Quick-Switch modular plug
system where you get to select the plug you want to use from the four
included options; 3.5mm single-ended / 2.5 mm balanced / 3.5mm 'PRO'
Balanced / 4.4 mm Unbalanced/Balanced. Like with the earphone itself,
this plug system is much more intricate than it needs to be with fine
knurling for grip, copper and silver accent bands, and clear
indicators necessary to line up the plugs for proper installation. It
all feels and looks quite impressive, unquestionably befitting of the
price tag.
Despite
what I read prior to the DK-3001 Pro showing up, I actually found it
to be pretty well isolating. With no music playing, the clacking of
my keyboard and my wife's videos playing in the background were much
less intrusive than I was expecting. With music playing, even at my
characteristically very low volumes, these outside elements pretty
much faded completely. The same can be said walking along the
sidewalk with cars whizzing by. It all ends up being tossed to the
wayside in favour of whatever you are listening to. Since at the time
of writing we are still experiencing a lock down due to Coronavirus,
there are no crowded, extremely noisy areas I can visit to really put
the isolation to the test. I would still expect the DK-3001 Pro to
handle it fairly well though, especially if you favour foam tips.
In The Box
The DK-3001 Pro provides a doozy of an unboxing experience forcing me
to look back to 2018's RHA CL2 to find something comparable. The 3001
arrives in quite a large box for an earphone with a very descriptive
sleeve wrapped around it.
On the
front of the sleeve is the usual branding and model information as
well as a transparent image of the 3001's shell showing off the
driver layout inside. I'm quite glad Dunu added this front and
(off)centre because it shows off just how impressive the engineering
that went into this product is. The DK-3001 Pro is not a large
earphone whatsoever and you would otherwise have been left wondering
how they fit five drivers, four balanced armatures and one fairly
large 13mm dynamic, inside such a compact shell. Flipping to the rear
of the sheath you are presented with a breakdown of the components
that make up the 3001 Pro. The c-shaped crossover unit is
particularly impressive and something I personally have no come
across before. Generally it's just a small rectangular chip slotted
in somewhere, but Dunu went the extra mile to fully integrate it into
the design in a way that would not compromise things. Below this
breakdown is a list of specifications.
- Frequency Response: 5Hz-40kHz
- THD: <0.5% @ 1kHz
- Impedance: 20 ohms
- Net Weight: 16g
- Cable Length: 1.2m
- Connector: Custom catch-hold MMCX connector
- Sound Pressure Level: 112dB +/- 2 @ 1kHz
Sliding
off the sheath reveals a matte black, textured box with Dunu printed
in glossy black lettering. Gripping the front flap and pulling away
to break the magnetic seal allows you to lift the top. Once inside
the experience continues, feeling more premium than usual. Printed
underneath the lid is a user guide for Dunu's quick switching
connector system for the includes MMCX cable. It's a very intuitive
system that doesn't involve anything more complicated then lining up
the dots on the connector ports and cable plug, then pushing them
gently together. No twisting, no locks to mess about with. Just plug
and play. Resting on top of the contents of the box is a sheet of
paper, very similar in thickness and texture to wax paper sans wax,
with “Designed by Dunu” printed in glossy silver lettering.
Ribbons protrude around the edges on either side. Lift out the sheet
and you find the DK-3001 Pro attached to the Lyre cable neatly
wrapped and tucked into a foam insert. Down the right side of the
insert are the various plug options, all set within their own
individual cutouts. Removing this first foam layer reveals a number
of additional accessories below, either set within their own foam
cutouts or hidden within a smaller cardboard box. In all you get:
- DK-3001 Pro earphones
- Lyre MMCX cable
- 4 Quick-Switch Modular Plugs (3.5mm single-ended / 2.5 mm balanced / 3.5mm 'PRO' Balanced / 4.4 mm Unbalanced/Balanced)
- Leatherette storage case
- Spinfit Custom tips (s/m x 2/l) + silicone spacing rings
- Grey single flange tips (s/m/l)
- Red single flange tips (s/m/l)
- Comply T-500 Isolation foam tips (m)
- 1/4” adapter
- Airplane adapter
- Earphone cleaning brush
That's
a pretty exhaustive list of extras isn't it? The case is on the large
side, about the size of a traditional wallet, with plenty of room
inside for the earphones, cable, and a few extras. There is even an
extra pouch inside in which you can place extra tips, the cleaning
brush, and/or the 1/4” adapter. I'd use it to carry the DK-3001 Pro
and FiiO BTR3K with the clip case installed, then tuck it all into
the back pocket of my jeans. The selection of tips of various sizes
and [single-flange] styles is quite welcome since you are sure to
find something that will work for your ears, however, some may lament
the absence of any bi- or tri-flange tips. Overall a minor omission
in what is otherwise a very comprehensive unboxing experience and
accessory kit.
Final Thoughts Dunu
has been around for a long time and have always been reliable in
their releases of products that perform exceptionally well for the
price. The DK-3001 Pro is no exception. The tuning of this earphone
is handled beautifully. The tapered extremes drawn attention to
everything in between showing off just how well balanced and
technically capable it is. It sounds natural, it is crisp and clear,
and neither fatigue nor sibilance are part of the equation. The
DK-3001 Pro has a very dialed in, mature, and well-thought out tune
that has many peers, yet few that can stand toe-to-toe and command
the same level of respect upon detailed inspection.
And not
only does it sound phenomenal, it is built to the same overly high
standard thanks to extremely ergonomic steel shells that are nigh
flawless in their construction. The included cable, Lyre, is a high
quality piece of hardware too. I'm not a fan of the loose braid, but
the sheath feels durable, it's flexible, and the successful
implementation of Dunu's new Quick-Switch modular plug system means
it is versatile. Such versatility is further helped along by Dunu's
generous inclusion of a swath of high quality accessories that range
from nearly a dozen pair of tips to four different plug options. The
DK-3001 Pro really is the complete package.
Thanks
for reading!
- B9
Disclaimer A
huge thanks to Lillian with Linsoul for asking if I'd like to review
the DK-3001 Pro, and for arranging a sample for review. The thoughts
within this review are my subjective opinions based on over a month
of use. They do not represent Linsoul, Dunu, or any other entity. At
the time of writing the DK-3001 Pro was retailing for 469.00 USD:
https://www.linsoul.com/products/dunu-dk-3001-pro
Gear Used For Testing LG
Q70, FiiO M3 Pro, Earstudio HUD100, Earmen TR-Amp, Asus FX53V, TEAC
HA-501
Some Test Tunes
Supertramp
– Crime of the Century
Slipknot
– Vol 3 (The Subliminal Verses)
Daft
Punk – Random Access Memories
Aesop
Rock – The Impossible Kid
King
Crimson – Lark's Tongues in Aspic
King
Crimson – Starless and Bible Black
Infected
Mushroom – Legend of the Black Shawarma
The
Prodigy – The Day is My Enemy
Steely
Dan – The Royal Scam
Porcupine Tree – Stupid Dreams
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